Gallery Guide To Landing 6-Figure Partnerships

Total Value: $497 - Normally $77
RIGHT NOW $57 with Prime Day Deals! Code PRIME1

Want Your Art in a Gallery? Here's Exactly How to Make It Happen (No Connections Required)


The step-by-step process I used to land gallery partnerships as a self-taught artist. From finding the right fit, to getting noticed, to signing a contract that actually protects you.

357 artists have already grabbed this guide—are you next?

You’ve poured your heart into your art… so why aren’t galleries noticing you?

  • If you’ve ever sent out gallery submissions and heard crickets…
  • If you’ve felt stuck, unsure where to even start…
  • If you’ve thought, "Maybe I’m not good enough for galleries"…

STOP.

Getting into galleries isn’t about luck, connections, or waiting to be discovered. It’s about knowing HOW to position yourself, WHAT to send, and WHO to reach out to.

And that’s exactly what you’ll learn inside my Gallery Guide.

Real talk: most artists think gallery representation is some exclusive club they'll never get into.

You picture a gatekeeper. A waiting list. Some secret handshake you missed out on because you didn't go to art school or move to a big art city.

I get it. I thought the exact same thing.

My very first "gallery" was an interior design store. I walked in, asked if I could show them my work, and pulled three paintings out of my trunk. They wanted ALL three. I sold my first piece within a month, and I worked with that store off and on for years.

No agent. No degree. No invitation. Just me, three canvases, and the nerve to ask.

Flash forward to today. I've sold over $2 MILLION in art as a self-taught artist who started back in 2018 with zero followers and zero connections. I've worked with physical galleries, online platforms, and interior design stores, and I've learned exactly what works and what's a total waste of your time.

Here's what nobody tells you about galleries.

They can be incredible for your career. New collectors, new cities, a built-in audience that already trusts the gallery's eye.

They can also take 50% of your sale, lock you into exclusivity, and do absolutely NOTHING to actually move your work.

The difference comes down to three things: knowing how to find the right fit, how to vet a gallery before you sign anything, and how to structure the relationship so it works for YOU.

That's exactly why I created this guide.

Inside How to Land a Gallery Partnership, you'll learn:

  • How to find galleries that fit your style, your goals, and your price point (including the overlooked spaces most artists never think to pitch)

  • The real online vs. physical gallery breakdown, so you stop guessing where your work belongs

  • My exact outreach approach, including the DM and email moves I use to get noticed (yes, even by galleries that "don't take submissions")

  • Portfolio must-haves that make a gallery director stop scrolling and pay attention

  • The contract red flags that can quietly cost you your art, your money, and your peace of mind

  • How to keep a gallery relationship strong, and how to walk away gracefully when it's run its course

Plus, you get my personal swipe files:

  • My own artist statement, so you can borrow the structure

  • A ready-to-use Artist CV template

  • THREE plug-and-play gallery outreach emails

  • A sample gallery contract, so you know exactly what "normal" looks like before you sign

  • A curated resource list of submission-friendly physical galleries (sorted by region) and 15+ online galleries that work with emerging artists

One more thing, because I'd rather be honest than just sell you something.

Galleries should be ONE of your strategies. Not your WHOLE strategy.

They take a big cut, and I want you walking in with your eyes wide open. I treat that commission like marketing spend, and when the fit is right, I've turned gallery clients into lifelong personal collectors who buy from me directly for years.

You build an art career brick by brick.

A gallery partnership can be one of the strongest bricks you lay, as long as you do it right.

This guide shows you how.

Land one sale through one gallery and this guide has more than paid for itself.

P.S. The hardest part of getting into a gallery isn't the talent. It's knowing what to do, and having the nerve to do it.

This guide hands you the what. The nerve is on you, and something tells me you've got plenty.